Advocate Sound LLC

The D7 reference dynamic vocal microphone creates the subtle and open sound of a condenser capsule with the powerful resonance of a dynamic microphone. The patented dual-layer Varimotion diaphragm can vibrate unhindered, which results in an extraordinarily crisp and clean sound. The unique laminated material damps high resonance peaks in the frequency response, which in combination with the tight, supercardioid polar pattern enables the D7's outstanding high gain before feedback. Its mechano-pneumatic capsule suspension and an integrated high-pass filter effectively eliminate handling noise. A precision metal dust filter provides a consistent protection for the diaphragm, ensuring an extra-long life.

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The C391 B high-performance small-diaphragm condenser microphone is a combination of the Blue Line Series CK91 and the SE300 pre-amplifier. The microphone has a cardioid polar pattern, a low self-noise and very good transient response for a bright and brilliant sound. It also features the ability to quickly interchange its capsule with one of the other capsules of the Blue Line Series, making it an excellent mic for demanding broadcast applications. The C391 B provides a switchable bass roll-off/attenuator with three positions: flat, 75Hz and 10db attenuation.

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For bass drum live and recording applications. The D12 VR is a reference large-diaphragm dynamic microphone with cardioid polar pattern. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its warm sound is realized by the original C414 transformer, especially impressive at high signal levels. The D12 VR features three active filter presets to match its sound shape with the kick drum’s character. When activated, the output level is automatically reduced by 10 dB. The filter settings can be controlled using a switch on the microphone body. Without phantom power, the microphone operates in passive mode and delivers the instruments pure sound.

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The ultimate tool for Live sound or recording drums and percussion, Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the rim of drums or percussion instruments. A special snap-on stabilizer keeps the gooseneck in a defined position. The MPAV from C518 M features an integrated, switchable bass cut for adjusting the microphone’s frequency response. The C518 ML package includes a mini-XLR cable and the unique A400 adapter plate for easy mounting onto wireless body-pack transmitters PT40/45/450/470.

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For drums, percussion, wind instruments and guitar amps on stage.
The D40 professional instrumental microphone with its solid all-metal body will stand up to the hardships of night-after-night onstage use with a smile. Its patented Varimotion diaphragm uses a unique laminated material to damp high resonance peaks, leading to a quantum leap in audio performance. The transducer is protected by a sturdy wire-mesh cap and can take extremely high sound pressure levels with ease. An integrated stand adapter in combination with the included H440 mounting bracket makes the D40 a highly versatile tool for use on drums, percussion, wind instruments and guitar amps.

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Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. The award-winning d:vote™ series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.

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for performance and recording, the versatile and rugged SM57 is an exceptional instrument and vocal microphone.

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